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Launching into new markets!

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Launching into new markets!
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News 06 16
CONTENT: New markets + Certification + Clipmix + Footage inside + Rights & licensing

Hi L.A., nǐ hǎo Shanghai!

The Framepool family has just got bigger: our Los Angeles office has been beefed up with new staff, and a new cooperative venture in China is now underway – anyone adept enough to use an online shop in Chinese will soon be able to call ours up.

Hi L.A.! At our Los Angeles branch, we extend a warm welcome to the capable Sarah Fraser, who will already be known to some of you from her previous role with Corbis. Sarah has joined our L.A. agent Alexander von Roon to assist with meeting the requirements of our customers at this global hotbed of world-class film and television production.
> Meet our team

Nǐ hǎo Shanghai! The dismantling of Corbis has also led to another exciting partnership: China’s largest picture agency, “Imagine China”, has selected Framepool as its new partner for video content. We are very proud as we wait eagerly to discover what our website will look like in Chinese.

We bid the new members of our international family welcome and invite you to pay them a virtual visit. Maybe there will be a nice cup of tea …

"Los Angeles + 4K"

"China + HD"

FRAMEPOOL SIGNED UP: UN GLOBAL COMPACT

More than 10,000 companies and organizations across the world have signed up to the United Nations initiative supporting responsible business conduct. Framepool has now also joined the illustrious ranks of those supporting the > UN Global Compact.

With our multi-ethnic staff composition, an average employee age over 40 and a 70% female team (including many mothers working part-time), we live by the principles of human rights and tolerance.
You, as Framepool’s customers, support the protection of our environment when you use stock footage instead of shooting your own (> "Green Cart").

We replace business trips of our own with video conferences to cut down on CO2 emissions. We are, moreover, also active in the fight against corruption: only our footage can be bought!

CREATIVE FOOTAGE

Anybody can swim with dolphins ...

... but bathing with pigs? The bristly denizens of the island of Exuma romp to their hearts’ content in the limpid sea around their island in the Bahamas. You won’t need a plane ticket to discover the swinish goings-on at “Pig Beach” and more sea features and creatures in the crystal-clear 4K footage of our new partner Edward Schneckloth:

"Bahamas + 4K"

More > Creative Footage at Framepool

EDITORIAL FOOTAGE

From "Acropolis" to "Zeche Zollverein"

Framepool has the largest selection of footage from UNESCO World Heritage Sites. Over 40,000 world heritage videos are on-line. They include rare historical material and magnificent aerials and are mostly available exclusively as Rights Managed footage and licensable in HD. Barely accessible natural wonders and birds-eye views of popular tourism sites – as the market leader for UNESCO footage, we have everything from A to Z, even the celebrated “Zollverein Coal Mine Industrial Complex” in Essen!

"Unesco"

More > Editorial Footage at Framepool

HISTORICAL FOOTAGE

Moby Dick is just about to turn 90

Not the White Whale. We don’t know how long the studio mock-up lasted. But the first celluloid adaptation of Herman Melville’s novel, “The Sea Beast” (1926), starring John Barrymore (photo). We have rare footage shot in 1996 in Siberia for you that shows the kind of whaling practised by Drew Barrymore’s grandfather in the silent film classic still being carried out.

"Whaling + Siberia"

More > Historic Footage at Framepool

F****** – Footage is no longer a dirty word

WORK OF THE MONTH

Almost ten years have elapsed since cult director Paul Verhoeven’s last feature film hit cinemas. Now “Elle”, his psycho-thriller of revenge, has just premiered at Cannes. It features a bravura performance by Isabelle Huppert in the lead role and fine footage of Framepool’s in a supporting role. “Elle” will be screened at cinemas in France from 21 September on.
> Watch the trailer
> Our clients
Good to know – How to estimate licensing fees

TALENT FEES CAN RAIN ON YOUR PARADE

Predicting licensing fees can feel like a game of cat and mouse: the other side usually wins. To boost your chances of cracking this conundrum, talk to us before mentioning figures!

One recent example from our Rights Clearance activities involved two scenes from famous cartoons that were intended to play a central role in a commercial. The ad agency reckoned the total fees for both shots would barely run into five figures, but the actual fees turned out to be ten times that – for each clip! With discrepancies on that scale, brokering agreement is almost impossible even when rights holders are willing to offer very generous “quantity rebates” and customers are very understanding. So the project is dead in the water.

We offer a free service to spare you from such embarrassing late discoveries: describe your project to us, ideally using a mood film, and we will tell you whether it is feasible and what conditions and fees you will probably need to reckon with.

Note:
  • Rights clearance issues and licensing fees for third-party rights can arise even in connection with royalty free footage: rights which may need clarification can include not only personality rights, but also audio rights, brand names and brands visible in images, logos of third-party companies (common in sports footage!), event rights, third-party copyrights etc.
  • License fees for copyrighted external material (not offered via an agency) and other third-party rights are typically determined on the basis of the total budget of a campaign and on its expected reach (media plan).
  • Talent fees are often determined on the basis of the most expensive person in the clip ("MFN" – Most Favoured Nation Clause).
  • Fees vary greatly depending on the rights holder and the media plan. Attempting to predict them in advance can be a game of roulette.
We offer you
  1. our experience for an estimate (free),
  2. our expertise for rights clearance (500 USD per right), and
  3. our finesse in negotiations (on a commission basis).
So:
Don’t rely on your 50/50 lifeline when you need to secure rights and large amounts of money are at stake. Use Framepool as your “phone a friend” lifeline instead!
> Inquiries to rightsclearance@framepool.com

> More about rights clearance and license issues

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